Heinrich Schütz

Works for chamber choir
Image
Heinrich Schütz, porträtiert von Christoph Spätner, um 1660
Heinrich Schütz, portrait by Christoph Spätner, c. 1660

Musical Exequia  SWV 279–281
The Musical Exequies were composed on the occasion of the funeral service of the sovereign Heinrich Posthumus Reuß in 1635/1636. Despite the restriction to six to eight voices, the composer achieves musical miracles with almost entirely pure basso continuo accompaniment.

Concert in Form einer teutschen Begräbnis-Missa SWV 279 (Concert in the Form of a German Funeral Missa)
Motette 'Herr, wenn ich nur dich habe' SWV 280 (Motet 'Lord, if I only have you')
Canticum B. Simeonis SWV 281

Marlene Riemann, Michelle Sitko – Soprano
Lara Brust – Alto
Jan Hendrik Linßen, Lukas Erns, Jonas Stelzer – Tenor
Christian Yang, Moritz Heller – Bass

Historia of the Resurrection of Jesus Christ  SWV 50
Historia der fröhlichen und siegreichen Auferstehung unseres einigen Erlösers und Seligmachers Jesu Christ, so the full title is composed for six- to eight-part choir, viols, organ and optional other instruments.

Maine Takeda, Julika Hing – Soprano
Lara Brust, Louise Lotte Edler – Alt
Felix Janssen, Valentin Müller – Tenor
Sebastian Schäfer, Christian Yang – Bass

Gambenconsort Les Escapades
Sabine Kreutzberger, Franziska Finckh, Adina Scheyhing, Barbara Pfeifer

Organ: Michael Moriz 

Chamber choir
Soprano: Marlene Riemann, Michelle Sitko, Ruth Greiling, Rebecca Overlack, Antonia Schiefer, Henrike Bosserhoff, Sabrina Cepreaga, Jeanette Chao, Jennifer Darscht, Tabea Spengler
Alto: Lara Mienhardt, Lara Brust, Theresa Flösch, Sophie Schmidt, Xinhui Wang, Johanna Jacober
Tenor: Jan-Hendrik Linßen, Lukas Ernst, Jonas Stelzer, Fabian Kabuß, Alexander Nguyen
Bass: Christian Yang, Moriz Heller, Jakob Bonasera, Simon Schmidt, Valentin Paschotka

Conductor: Prof. Mathias Beckert

Eventtype: Chormusik · Choral Music
5. July · 07:30 PM

Auferstehungskirche Rüppurr, Lange Str. 28, 76199 Karlsruhe - Site plan 

Admission is free.