open to the university public: PRIMA Abend · VOKALEMSEMBLE & FRIENDS

George Frideric Handel (1685-1759)                             
Suite D minor HWV 428 (1720)
Prelude - Aria with Variations               
Konstantina Lazaridou Harpsichord

Giuseppe Sammartini (1695-1750)                                
aus: Sonata for flute solo F major   IGS 41
Andante - Allegro         
Helen Buck Recorder  
Konstantina Lazaridou Harpsichord

Domenico Scarlatti (1685-1757)                                 
Sonatas A major K. 208 Adagio é cantabile
Sonatas in a Moll K.175                    
Jhih-Ting Wong Harpsichord

Stabat mater
for ten voices SSSAATTBB and basso continuo
1. Stabat mater dolorosa
2. Cuius animam gementem
3. Quis non posset contristari
4. Eia Mater, fons amoris
5. Sancta Mater, istud agas
6. Fac me vere tecum flere
7. Iuxta crucem tecum stare
8. Inflammatus et accensus
9. Fac, ut animae donetur
10. Amen.

Soprano 1/2/3/4: Maine Takeda · Carmen Buchert · Sophie Harr · Lara Brust  
Alto 1/2: Marie Gerhardine Iguchi · Agata Szmuk
Tenor 1/2: Felix Janssen · Mischa Kurth
Bass 1/2: Sebastian Schäfer ·Tarek El Barbari    
Violoncello: Helen Buck                    
Organ: Jhih-Ting Wong                

Conductor: Prof. Holger Speck

Domenico Scarlatti's ten-part "Stabat Mater" can be described as a masterpiece within the choral literature. The large scale, the unique spatial arrangement, the gripping, dramatic momentum, the lyrical grace - all this combined by clear stylistic unity and a highly organic arrangement of the means limited in timbre - place the work in the circle of the very great architectural musical creations of the 18th century. (Carus-Verlag)